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Doll is introduced by name when Mistress Quickly asks Falstaff whether he would like her company that evening. The Page later mentions to Prince Hal and Poins that Falstaff will be seeing her, primly referring to her as "a proper gentlewoman, sir, and a kinswoman of my master's", though Hal quickly concludes that she is probably "some road" (meaning a whore: accessible to anyone, as in the ...
Lists of pejorative terms for people include: . List of ethnic slurs. List of ethnic slurs and epithets by ethnicity; List of common nouns derived from ethnic group names
Sir John Falstaff is a fictional character who appears in three plays by William Shakespeare and is eulogised in a fourth. His significance as a fully developed character is primarily formed in the plays Henry IV, Part 1 and Part 2, where he is a companion to Prince Hal, the future King Henry V of England.
The Comedy of Errors adapted and directed by Sean Graney in 2010 updated Shakespeare's text to modern language, with occasional Shakespearean text, for The Court Theatre. The play appears to be more of a "translation" into modern-esque language, than a reimagination. [ 16 ]
Lawyer jokes, which pre-date Shakespeare's era, are commonly told by those outside the profession as an expression of contempt, scorn and derision. [1] They serve as a form of social commentary or satire reflecting the cultural perception of lawyers .
The following is an archived discussion of the DYK nomination of the article below. Please do not modify this page. Subsequent comments should be made on the appropriate discussion page (such as this nomination's talk page, the article's talk page or Wikipedia talk:Did you know), unless there is consensus to re-open the discussion at this page.
Shakespeare uses a similar theme again with Leontes in his play, The Winter's Tale. [7] The placement of the sonnet leads many to believe that Shakespeare had a direct relation with the "dark lady" (as referenced as the inspiration for sonnets 127-152). Many scholars believe that Shakespeare had an affair and that a mistress was his inspiration ...
The traditional origin is said to be a curse set upon the play by a coven of witches, angry at Shakespeare for using a real spell. [2] One hypothesis for the origin of this superstition is that Macbeth, being a popular play, was commonly put on by theatres in financial trouble, or that the high production costs of Macbeth put theatres in financial trouble.