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Nose art is a decorative painting or design on the fuselage of an aircraft, usually on the front fuselage. While begun for practical reasons of identifying friendly units, the practice evolved to express the individuality often constrained by the uniformity of the military, to evoke memories of home and peacetime life, and as a kind of ...
Shoo Shoo Baby (B-17) Anthony L. Starcer, (September 16, 1919 – June 9, 1986) was an American soldier and artist during World War II, known for his nose art work.. Retiring as a sergeant in the US Army Air Force, Starcer was a line mechanic and artist for the 91st Bombardment Group (Heavy), of the VIII Bomber Command, Eighth Army Air Force, based at Bassingbourn, UK in 1942–43.
The Great Artiste nose art. The Great Artiste was a U.S. Army Air Forces Silverplate B-29 bomber (B-29-40-MO 44-27353, Victor number 89), assigned to the 393d Bomb Squadron, 509th Composite Group. The aircraft was named for its bombardier, Captain Kermit Beahan, in reference to his bombing talents.
The aircraft required significant work, such as a new set of engines and reversing modifications that had been made to fit it for aerial mapping work; most original wartime components had been removed. In 1981, Tony Starcer recreated his original nose art at Dover Air Force Base, Delaware, [7] for the Fortress. [8]
The nose art emblem on this aircraft is the dachshund of 10.(Z)/JG 5. Two intact Bf 110s are known to exist: Messerschmitt Bf 110 G Werk Nr. 730301. This aircraft is displayed as fully assembled at the Royal Air Force Museum's London site at Hendon, North London. A G-series night fighter, it was likely built in 1944.
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It was originally assigned the Victor (unit-assigned identification) number 6 but on 1 August was given the triangle N tail markings of the 444th Bomb Group as a security measure and had its Victor changed to 86 to avoid misidentification with actual 444th BG aircraft. It was named Next Objective and its nose art applied after the atomic bomb ...
In 1937, Gil began painting calendar pin-ups for Louis F. Dow, one of America's leading publishing companies, during which time he created about 60 works on 28 × 22 in canvas and distinguished them with a printed signature. Many of his pin-ups were reproduced as nose art on military aircraft during World War II. Circa 1944, Elvgren was ...