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Buddy Gene Emmons (January 27, 1937 – July 21, 2015) was an American musician who is widely regarded as the world's foremost pedal steel guitarist of his day. [1] [2] He was inducted into the Steel Guitar Hall of Fame in 1981. [3]
The brand was founded in a small garage in 1955 in Madison, Tennessee [4] [5] by Shot Jackson and Buddy Emmons, [6] [7] both active steel players in the 1950s. The company later relocated to Nashville, Tennessee in 1963. [4] [8] [9] In 1963 Emmons left the company, and Shot's sons, David and Harry, accompanied Shot in building Sho-Bud Steel ...
Cole initially learned on a six-string Dallas Rangemaster lap steel, before buying his first pedal steel – a double eight-string Fender 1000 – in about 1966. He continued to use this until 1971, when he switched to a black single-neck ten-string Emmons pedal steel; this was the instrument that he played on the final Cochise album and on ...
The organization contains inductees from outside the U.S. [9] and is sometimes referred to as the "International Steel Guitar Hall of Fame" to distinguish it from various regional associations. [ 2 ] The first woman to become a member was Barbara Mandrell in 2009 [ 10 ] An ongoing goal of the hall of fame is to secure a permanent museum site to ...
Minors Aloud (subtitled Buddy Emmons with Lenny Breau) is an album by American pedal steel guitarist Buddy Emmons and Canadian guitarist Lenny Breau that was released in 1978. [ 1 ] History
The example in the chart below is the one used by Buddy Emmons and, as of 2020, is by far the most popular copedent used by manufacturers to ship new pedal steels guitars to dealers. The Nashville standard E9 ten-string, single-neck pedal steel guitar's copedent.
Ken Dryden reviewed the album for Allmusic and wrote that "Buddy Emmons wasn't the first musician to be featured playing a pedal steel guitar in a jazz setting, but it is unlikely that anyone else recorded an entire date playing one prior to this 1963 session.
During the ensuing years, he worked with various musicians in Montreal and began making albums of his own, including 1962's Neil Flanz and his Nashville Steel, and 1964's Get On The Star Route (recorded in Toronto using an Emmons Stereo pedal steel guitar). The success of the two albums gained him recognition, both in Canada and the United States.