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Juan de la Cosa's map is a manuscript nautical chart of the world drawn on two joined sheets of parchment sewn onto a canvas backing. It measures 96 cm high by 183 cm wide. A legend written in Spanish at the western edge of the map translates as "Juan de la Cosa made this (map) in the port of Santa Maria in the year 1500".
Spanish Renaissance architecture emerged in the late 15th century as Renaissance ideals reached Spain, blending with existing Gothic forms. Rooted in Renaissance humanism and a renewed interest in Classical architecture , [ 1 ] the style became distinguished by a synthesis of Gothic and Italian Renaissance elements.
It varied in size at various times and places; the Spanish unit was set at about 835.905 mm (32.91 in) in 1801. [citation needed] In Argentina, the vara measured about 866 mm (34.1 in), and typical urban lots are 8.66 m (28.41 ft) wide (10 Argentine varas). At some time a value of 33 inches (838.2 mm) was adopted in California.
Before hand, cartographic works had been developed through less rational methods than mathematical, such as theology and cosmology, but did include statements of geography and history as well. The beginning of the 14th century also introduced the first atlas, which was created through a series of maps being bound together. The new innovation ...
The Spanish Renaissance was a movement in Spain, emerging from the Italian Renaissance in Italy during the 14th century, that spread to Spain during the 15th and 16th centuries. [ 1 ] This new focus in art , literature , quotes and science inspired by the Greco-Roman tradition of Classical antiquity , received a major impulse from several ...
1598: Spanish settlement in Northern New Mexico. 1600: By 1600 Spain and Portugal were still the only significant colonial powers. North of Mexico the only settlements were Saint Augustine and the isolated outpost in northern New Mexico. Exploration of the interior was largely abandoned after the 1540s.
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The Spanish colonial style of architecture dominated in the early Spanish colonies of North and South America, and were also somewhat visible in its other colonies. It is sometimes marked by the contrast between the simple, solid construction demanded by the new environment and the Baroque ornamentation exported from Spain.