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Pastoral: The May Queen, Op 39; Sacred Cantata: The Woman of Samaria, Op 44 (Birmingham Festival, 1867) Duet: Remember Now Thy Creator; Exhibition Ode (1862), Op 40; Cambridge Installation Ode, Op 41; Now, my God, Let, I beseech Thee; God is a Spirit; Several other anthems, Hymn and Psalm tunes
Sir William Sterndale Bennett (13 April 1816 – 1 February 1875) was an English composer, pianist, conductor and music educator. At the age of ten Bennett was admitted to the London Royal Academy of Music (RAM), where he remained for ten years.
Extract from manuscript of The May Queen, an 1858 pastoral cantata by William Sterndale Bennett Illustration by Louis Agassiz Fuertes on the frontispiece of William Butts Mershon's 1907 book The Passenger Pigeon. Seven featured articles were promoted this week.
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She was engaged as the soprano soloist for the premiere of the pastorale May Queen by William Sterndale Bennett, a work commissioned for the opening of the Leeds Music Festival in 1858 and conducted by the composer. Probably the finest revelation of her powers was at the Handel Festival there in June 1859. She then determined to retire.
These included choral works like William Sterndale Bennett's The May Queen (1858), [30] Ebenezer Prout's Hereward and King Alfred [31] and cantatas like Sullivan and Henry Fothergill Chorley's The Masque at Kenilworth (1864), [32] John Francis Barnett's Ancient Mariner (1867) [33] and Frederic Hymen Cowen's The Rose Maiden (1870) and Harold ...
Reeves, Clara Novello, Mme Sainton-Dolby and Weiss gave the premiere of William Sterndale Bennett's cantata The May Queen at the founding of the Leeds Festival, in 1858. In January 1861 he sang the Messiah at St Paul's Cathedral , the first oratorio to be heard there, with Reeves, Helen Lemmens-Sherrington and Mrs Lockey.
His libretti included The Amber Witch for composer William Vincent Wallace, The May Queen – A Pastoral (1858) for William Sterndale Bennett, and two for his friend Arthur Sullivan: The Sapphire Necklace and The Masque at Kenilworth. [5]