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Tolkien's Roman Catholicism gave him a clear sense of good and evil, and a ready symbolism to hand: light symbolises good, and darkness evil, as it does in the Bible. [ 10 ] [ 11 ] In The Fellowship of the Ring , the first evil being that the Hobbits encounter after leaving the Shire on the quest to destroy the One Ring is Old Man Willow , a ...
Evil is ever-present in J. R. R. Tolkien's fictional realm of Middle-earth. Tolkien is ambiguous on the philosophical question of whether evil is the absence of good, the Boethian position, or whether it is a force seemingly as powerful as good, and forever opposed to it, the Manichaean view. The major evil characters have varied origins.
The Elf Ecthelion slays the Orc champion Orcobal in Gondolin. 2007 illustration by Tom Loback. J. R. R. Tolkien, a devout Roman Catholic, [T 1] created what he came to feel was a moral dilemma for himself with his supposedly evil Middle-earth peoples like Orcs, when he made them able to speak.
A flag displaying the Red Eye of Sauron, based on a design by Tolkien that was used on the cover of the first edition of The Fellowship of the Ring in 1954. Throughout The Lord of the Rings, "the Eye" (known by other names, including the Red Eye, the Evil Eye, the Lidless Eye, the Great Eye) is the image most often associated with Sauron ...
The Free Peoples of Middle-earth are the four races that never fell under the sway of the evil spirits Morgoth or Sauron: Elves, Men, Dwarves and Ents. Strictly speaking, among Men it was only the Men of the West who are Free People, particularly the descendants of the Dúnedain of the Isle of Númenor , as most Men of the East and South of ...
Thorin's Company consisted of the following thirteen dwarves. Their quest in The Hobbit is the main impetus of the plot. [a] Their quest was joined by Bilbo Baggins (the titular hobbit) and occasionally by the wizard Gandalf. Tolkien took the names of Gandalf and 12 of the 13 dwarves – excluding Balin – from the Old Norse Völuspá. [6] [7]
J. R. R. Tolkien's novels The Hobbit (1937) and The Lord of the Rings (1954–55), set in his fictional world of Middle-earth, have been the subject of numerous motion picture adaptations across film and television. Tolkien was skeptical of the prospects of an adaptation.
Critics including Fawcett and Hartley note that by making all the beasts in The Hobbit talk, Tolkien, a devout Roman Catholic, had created a serious problem for himself: if trolls and other monsters were supposed to be sentient, they would in Christian terms have souls and be redeemable rather than wholly evil.