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The Latin text "O magnum mysterium" is a Gregorian chant from the fifth responsory of nine for Vigil on Christmas Day. [4] It reflects first oxen and donkey next to the manger as first mentioned in Isaiah 1:3. and traditionally related to the nativity of Jesus as a symbol for the mystery of the self-abasement of God in his Incarnation.
O magnum mysterium, et admirabile sacramentum, ut animalia viderent Dominum natum, iacentem in praesepio! O beata virgo, cuius viscera meruerunt portare Dominum Christum. Alleluia! English translation O great mystery, and wonderful sacrament, that animals should see the newborn Lord, lying in a manger! O blessed virgin, whose womb was worthy to ...
O magnum mysterium (1569) is a six-part motet by Giovanni Pierluigi da Palestrina, based on the responsorial chant of the same name, and was written for the celebration of Christmas. The piece is intended to express the joy and awe that was felt by the shepherds as they celebrated and worshiped the Christ-child in the manger on Christmas Eve.
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O magnum mysterium may also refer to: O magnum mysterium; O magnum mysterium This page was last edited on 9 December 2022, at 16:24 (UTC). Text is available under ...
Morten Johannes Lauridsen III [1] (born February 27, 1943) is an American composer and teacher. A National Medal of Arts recipient (2007), [2] he was composer-in-residence of the Los Angeles Master Chorale from 1994 to 2001, [3] and is professor emeritus of composition at the USC Thornton School of Music, where he taught for fifty-two years until his retirement in 2019.
Missa O admirabile commercium: 5: 17: 1599: Parody: Palestrina's motet: Missa O magnum mysterium (Missa tertia a5) 5 13 1582 Parody Palestrina's motet O magnum mysterium: Missa O regem coeli: 4: 10: 1554: Parody: Motet by Andreas de Silva: Missa O rex gloriae: 4: 21: 1601: Parody: Palestrina's motet: Missa O sacrum convivium: 5: 23: Parody ...
The Christmas Oratorio is an oratorio for soprano, baritone, chorus, and orchestra written in 2019 by the Scottish composer James MacMillan.The work was commissioned by the London Philharmonic Orchestra with support of The Boltini Trust, NTR Zaterdagmatinee, Radio 4's concert series in The Concertgebouw Amsterdam, the Melbourne Symphony Orchestra, and the New York Philharmonic.