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Reijiro Hieda is a young and energetic archeologist, albeit a discredited one for advocating wild theories about the supernatural.A letter from his brother-in-law Takashi Yabe, a junior high school teacher, tells of his discovery of an ancient tomb built to seal an evil spirit ().
Like many urban legends, the details of the origins of the legend vary depending on the account; different versions of the story include that Hanako-san is the ghost of a World War II–era girl who was killed while playing hide-and-seek during an air raid, that she was murdered by a parent or stranger, or that she committed suicide in a school ...
Madam Koi Koi, an African urban legend of a ghost who haunts schools. The Women in Black of Wat Samian Nari, a Thai urban legend about the spirits of two sisters in black who bear a resemblance to Teke Teke. Sadako Yamamura, a ghost from the Ring novels and films. Teketeke, a 2009 film based on the urban legend. TEKE::TEKE, a Canadian rock group.
Teke Teke (テケテケ) is the ghost of a young woman or schoolgirl who fell on a railway line, which resulted in her body being cut in half by a train. [44] She is an onryō, or a vengeful spirit, who lurks around urban areas and train stations at night.
Terakomari Gandesblood (テラコマリ・ガンデスブラッド, Terakomari Gandesuburaddo) Voiced by: Tomori Kusunoki [2] (Japanese); Brittney Karbowski [3] (English) The protagonist of the series, she is a fifteen-year old vampire who previously lived a shut-in life.
The Girl I Saved on the Train Turned Out to Be My Childhood Friend (Japanese: 痴漢されそうになっているS級美少女を助けたら隣の席の幼馴染だった, Hepburn: Chikan Sare-sō ni Natteiru S-kyū Bishōjo o Tasuketara Tonari no Seki no Osananajimidatta) is a Japanese light novel series written by Kennoji and illustrated by Fly.
Kwaidan: Stories and Studies of Strange Things (怪談, Kaidan, also Kwaidan (archaic)), often shortened to Kwaidan ("ghost story"), is a 1904 book by Lafcadio Hearn that features several Japanese ghost stories and a brief non-fiction study on insects. [1] It was later used as the basis for a 1964 film, Kwaidan, by Masaki Kobayashi. [2]
Even though such a form has found its way into a few modern Japanese dictionaries (for example even Kindaiichi's otherwise generally reliable Jikai), it is in fact simply one of the ghost words of Japanese lexicography; when it does appear in modern lexical sources, it is a "made-up" form listed there solely on the basis of the Wei chih account ...