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The Merchant of Venice is a play by William Shakespeare, believed to have been written between 1596 and 1598.A merchant in Venice named Antonio defaults on a large loan taken out on behalf of his dear friend, Bassanio, and provided by a Jewish moneylender, Shylock, with seemingly inevitable fatal consequences.
The Merchant is a 1976 play in two acts [1] by the English dramatist Arnold Wesker. It is based on William Shakespeare's The Merchant of Venice, and focuses on the Jewish Shylock character, that play's principal antagonist. [2] [3] Wesker began writing the play after seeing a 1973 performance by Laurence Olivier. [2]
Jessica is the daughter of Shylock, a Jewish moneylender, in William Shakespeare's The Merchant of Venice (c. 1598). In the play, she elopes with Lorenzo, a penniless Christian, and a chest of her father's money, eventually ending up in Portia and Bassanio's household. In the play's dramatic structure, Jessica is a
All of the marriages that ended The Merchant of Venice are unhappy, Antonio is an obsessive bore reminiscing about his escape from death, but Shylock, freed from religious prejudice, is richer than before and a close friend and confidant of the Doge. Arnold Wesker's play The Merchant (1976) is a reimagining of Shakespeare's story. [12]
The Merchant of Venice is a 2004 romantic drama film based on William Shakespeare's play.It is the first full-length sound film in English of Shakespeare's play—other versions are videotaped productions that were made for television, including John Sichel's 1973 version and Jack Gold's 1980 BBC production.
Antonio is one of the central characters in William Shakespeare's play The Merchant of Venice. He is portrayed as a wealthy and respected merchant residing in Venice, known for his generosity and melancholic disposition. Antonio is a close friend of Bassanio, another important character in the play, and their element of the story.
Pages in category "Plays and musicals based on The Merchant of Venice" The following 4 pages are in this category, out of 4 total. This list may not reflect recent changes .
In 1876, the critic J. Weiss was the first to assert that Portia assists Bassanio. More recent critics that take this view are S. F. Johnson, in "How Many Ways Portia Informs Bassanio's Choice," and Michael Zuckert in "The New Medea: On Portia's Comic Triumph in The Merchant of Venice," both in 1996.