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Othello and Desdemona in Venice by Théodore Chassériau (1819-1856) The Tragedy of Othello, the Moor of Venice, often shortened to Othello (/ ɒˈθɛloʊ /), is a tragedy written by William Shakespeare around 1603. Set in Venice and Cyprus, the play depicts the Moorish military commander Othello as he is manipulated by his ensign, Iago, into ...
Kullervo, a tragic hero from the Karelian and Finnish Kalevala. The influence of the Aristotelian hero extends past classical Greek literary criticism.Greek theater had a direct and profound influence on Roman theater and formed the basis of Western theater, with other tragic heroes including Macbeth in William Shakespeare's The Tragedy of Macbeth, and Othello in his Othello. [4]
Origin. Africa or Arabia. Othello (/ ɒˈθɛloʊ /, oh-THELL-oh) is the titular protagonist in Shakespeare 's Othello (c. 1601–1604). The character's origin is traced to the tale "Un Capitano Moro" in Gli Hecatommithi by Giovanni Battista Giraldi Cinthio. There, he is simply referred to as the Moor.
While Othello himself is strictly the main protagonist, if an anti-hero, Abernethy suggests that the real hero of the play is Iago himself. This is due to the fact that without him, there would be no story: [6] He maybe the "tragic hero", the real hero of the play is Iago. He is the centre of interest, the mainspring of the machine.
Iago (/ iˈɑːɡoʊ /) is a fictional character in Shakespeare 's Othello (c. 1601–1604). Iago is the play's main antagonist, and Othello 's standard-bearer. He is the husband of Emilia who is in turn the attendant of Othello's wife Desdemona. Iago hates Othello and devises a plan to destroy him by making him believe that Desdemona is having ...
The Apollonian and the Dionysian are philosophical and literary concepts represented by a duality between the figures of Apollo and Dionysus from Greek mythology.Its popularization is widely attributed to the work The Birth of Tragedy by Friedrich Nietzsche, though the terms had already been in use prior to this, [1] such as in the writings of poet Friedrich Hölderlin, historian Johann ...
Romeo and Juliet, Act I, Scene V Romeo and Juliet is sometimes considered to have no unifying theme, save that of young love. Romeo and Juliet have become emblematic of young lovers and doomed love. Since it is such an obvious subject of the play, several scholars have explored the language and historical context behind the romance of the play. On their first meeting, Romeo and Juliet use a ...
There is debate among critics as to Emilia's character nature in Othello, with some deeming her a villain and some as the true hero of the play.This is because her allegiances initially seem to lie with her husband, and she displays the typical “wifely virtues of silence, obedience, and prudence" [2] of the Elizabethan period (as seen in her theft of the handkerchief in 3.1).