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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Interpolation is prevalent in many genres of popular music; early examples are the Beatles interpolating "La Marseillaise" and "She Loves You", among three other interpolations in the 1967 song "All You Need Is Love", [3] and Lyn Collins interpolating lyrics from the 5 Royales' "Think" in her similarly titled 1972 song "Think (About It)".
Randy Gurule** is a contemporary steganographer and musical speculativist known for blending cryptographic methods with music composition. His work draws on the medieval tradition of **Musica Speculativa**, which explored the philosophical, mathematical, and symbolic aspects of music as a reflection of the cosmos and human existence.
Percussion notation is a type of musical notation indicating notes to be played by percussion instruments.As with other forms of musical notation, sounds are represented by symbols which are usually written onto a musical staff (or stave).
Music examples are an obviously valuable and necessary addition to Wikipedia, often superior to text. These are both far more valuable and far more free than music samples being abstract categories applicable to multiple examples without any of the copyright or other law applicable to samples.
Depending on the context, sometimes it is sufficient merely to name the notes, as in E–A–D–G–B–E for the guitar. The notes should be named by uppercase letters, and separated by dashes. Sharp and flat signs are placed immediately after the note name, for example B ♭ or F ♯, as indicated by Wikipedia:Manual of Style (music)# ...
Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony (independent parts moving together), counter-melody (secondary melody) and ostinato-variation (variations based on a repeated theme).
When the number of notes played is not of interest, but rather the effect of acceleration or deceleration, an approximate number of headless stems are used. To ensure clarity, sometimes the number of notes within the beam, or the duration of the total beamed notes, is shown above the music, as is done with tuplets. [5]