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Johann Christoph Denner (13 August 1655 – 26 April 1707) [1] was a German woodwind instrument maker of the Baroque era, to whom the invention of the clarinet is attributed. Denner was born in Leipzig to a family of horn-tuners.
Arnold Bax – Clarinet Sonata in E major (1901) [6] Donald Francis Tovey – Clarinet Sonata in B-flat major, Op. 16 (1906) [ 7 ] Charles Villiers Stanford – Clarinet Sonata, Op.129 (1911) [ 8 ]
Around this time, well-known Nuremberg instrument maker Johann Christoph (J.C.) Denner made improvements to the chalumeau, eventually developing it into the Baroque clarinet. The chalumeau is distinguished by two keys (thought to be added by Denner), which cover tone holes drilled diametrically to each other.
Charles Swinnerton Heap: Clarinet Sonata (1879) [2] Theodore Gouvy: Clarinet Sonata, Op. 76 (1882) Ebenezer Prout: Clarinet Sonata, Op. 26 (1882) [3] Felix Draeseke: Clarinet Sonata (1887), which also can be played by a violin; Samuel Coleridge-Taylor: Clarinet Sonata (c1893) [4] Josef Rheinberger:Clarinet Sonata, Op. 105a (1893) Johannes Brahms:
Around 1799, arrangements for clarinet quartet of three of Wolfgang Amadeus Mozart's chamber works appeared in publication, possibly by Johann Anton André: [1] the violin sonata in B-flat major, K 378/317d, the violin sonata in E-flat major, K 380/374f, and the piano trio in G major, K 496.
Yona Ettlinger (May 28, 1924 – June 24, 1981) was a clarinetist who played and taught in Israel, France and England.Ettlinger is considered a prominent classical clarinetist of his generation, and one of Israel's notable instrumentalists.
Jacob Denner (1681 – 1735) was a woodwind instrument maker of Nuremberg. He was the son of Johann Christoph Denner , improver of the chalumeau and credited with the invention of the clarinet . Jacob is also well known for his recorders [ 1 ] which have become the model for many modern instruments. [ 2 ]
Stadler was born in 1753 in a small town near Vienna; in 1756 his family moved into the city where his brother Johann was born. [1] Even though both became famous as clarinet and basset horn players, the Journal des Luxus und der Moden described Anton in 1801 as 'a great artist on many wind instruments', [2] and in a letter to Ignatz von Beecke, applying for a position in the Wallerstein ...