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Eventually these settings became a separate form of Passion music. Perhaps the most outstanding work in this genre in the Lutheran tradition is the work by Heinrich Schütz . Joseph Haydn composed string quartets titled Die sieben letzten Worte unseres Erlösers am Kreuze (The seven last words of our Redeemer on the cross).
Centre panel from Memling's triptych Last Judgment (c. 1467–1471) " Dies irae" (Ecclesiastical Latin: [ˈdi.es ˈi.re]; "the Day of Wrath") is a Latin sequence attributed to either Thomas of Celano of the Franciscans (1200–1265) [1] or to Latino Malabranca Orsini (d. 1294), lector at the Dominican studium at Santa Sabina, the forerunner of the Pontifical University of Saint Thomas Aquinas ...
Jesus who died shall be satisfied, and earth and heav'n be one." Another, lesser-known variation of the singable hymn (as sung by the London Philharmonic Concert Society in 1988, for example) is “This is my Father’s House”, in which the lyrics and melody remain unchanged except to sing the titular line “This is my Father’s house” in ...
Herr Jesu Christ, wahr' Mensch und Gott (Lord Jesus Christ, true Man and God), [1] BWV 127, is a cantata by Johann Sebastian Bach for use in a Lutheran service. He composed the chorale cantata in 1725 in Leipzig for the Sunday Estomihi, the Sunday before Lent.
In 1976 the words of the first verse of the Salve Regina were used as a repeating theme in the song Oh What a Circus in the musical Evita, with music by Andrew Lloyd Webber and lyrics by Tim Rice. [19] Salve Regina University, a U.S. university established by the Sisters of Mercy in 1934, was named in honor of the Salve Regina hymn and motto. [20]
The oratorio is still in a fairly strict North German form, though more free than his four passion settings. [6] The cover of a manuscript bears a poem which illustrates the meaning of the meditation: "Lebstu der Weltt, so bistu todt/ und kränckst Christum mit schmertzen / Stirbst' aber in seinen Wunden roth / So lebt er in deim Hertzen."
In early editions the hymn, in seven stanzas, was indicated as an improved (German: gebessert) version of "Christ ist erstanden". [1] The hymn is in bar form.The Stollen, that is the repeated first part of the melody, sets two lines of text for each repetition, with the remaining four lines of each stanza set to the remainder of the melody.
Chants de Terre et de Ciel (Songs of Earth and Heaven) is a song cycle in six movements for soprano and piano by Olivier Messiaen, on text by the composer himself.It was composed in 1938 [1] and premiered at the Société Triton's Concerts du Triton, at the École Normale de Musique de Paris in Paris on the 23 January 1939 with Marcelle Bunlet as the soprano and the composer at the piano.