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Most of Shakir's ghazalyaat contain five to ten couplets, often - though not always - inter-related. Sometimes, two consecutive couplets may differ greatly in meaning and context [For example, in one of her works, the couplet 'That girl, like her home, perhaps/ Fell victim to the flood' is immediately followed by 'I see light when I think of you/ Perhaps remembrance has become the moon'].
Parveen Shakir is known for her use of pop culture references and English words and phrases – a practice that is generally considered inappropriate and is criticised in Urdu poetry. An example is the poem Departmental Store Mein (In a Departmental Store), which is named thus despite the fact that the title could have been substituted with its ...
Amir Khusro (1253–1325) composed the first ghazal in Urdu, titled ze-hāl-e-miskīñ. [2] He wrote in Persian and Rekhta (initial form of Urdu). Mirza Ghalib is considered one of the leading literary authority on Urdu poetry. [3] He lived in Delhi [4] and died in 1869. The literal meaning of shayar (shaa'ir) is poet. [5]
In 2016, at a book launching ceremony in Lodhran, Punjab, the President of Urdu Department at Allama Iqbal Open University of Islamabad was quoted as saying: "Shakir Shuja Abadi is a renowned name in Saraiki poetry who holds true heart and feelings.
Amjad Ali Shakir (Urdu: امجد علی شاکر) is a Pakistani writer and an educationist who was born to Abdul Qadir, a graduate of Darul Uloom Deoband. He studied at the University of the Punjab and University of Multan in 1977. He started his career in education as a lecturer in 1979 at Govt College Bahawalnagar and served as a principal ...
Shakir is both a surname and a given name originating from Arabic, similar to the surname or name Shakur. The feminine form of Shakir is Shakira . Notable people with the name include:
Ghulam Hamdani Mushafi, the poet first believed to have coined the name "Urdu" around 1780 AD for a language that went by a multiplicity of names before his time. [1] Mirza Muhammad Rafi, Sauda (1713–1780) Siraj Aurangabadi, Siraj (1715–1763) Mohammad Meer Soz Dehlvi, Soz (1720-1799) Khwaja Mir Dard, Dard (1721–1785)
The Urdu ghazal makes use of a store of common characters, settings, images, and metaphors that inform both readers and poets of how to navigate the aforementioned ghazal universe. [33] These tropes have been cultivated for hundreds of years and are meant to deeply resonate with listeners of the ghazal, invoking their expectations of meaning. [33]