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Impact is a sans-serif typeface in the industrial or grotesque style designed by Geoffrey Lee in 1965 and released by the Stephenson Blake foundry of Sheffield. [1] It is well known for having been included in the core fonts for the Web package and distributed with Microsoft Windows since Windows 98.
Pages in category "Video games set in schools" The following 59 pages are in this category, out of 59 total. This list may not reflect recent changes. A.
Roboto Slab is a slab serif font based on Roboto. It was introduced in March 2013, as the default font in Google's note-taking service Google Keep. [18] (The font was changed to the sans-serif Roboto in 2018.) [19] It is available in four weights: thin, light, regular and bold. However, no oblique versions were released for it.
The Crew (video game) Crime Cities; Crime Fighters; Crime Patrol (video game) Crime Patrol 2: Drug Wars; Crime Scene (video game) CrimeWave; Criminal Case (video game) Criminal Minds (video game) Critical Ops; Crossfire (2007 video game) Crow Country; Cruise for a Corpse; Cry of Fear; CSI: Crime City; CSI: 3 Dimensions of Murder; CSI: Crime ...
The State Department will switch its official font from Times New Roman to Calibri next month in an effort to increase accessibility, a department spokesperson said. Secretary of State Antony ...
The game was originally released in two formats: an upright cabinet and a cocktail (tabletop) version. These versions were imported to Europe, Asia, and America. In America, the game was distributed by Far East Video. [19] In the UK, Sheriff was licensed for production and distribution by Bell-Fruit Manufacturing in an upright cabinet. Bell ...
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Comic Sans Pro is an updated version of Comic Sans created by Terrance Weinzierl from Monotype Imaging. While retaining the original designs of the core characters, it expands the typeface by adding new italic variants, in addition to swashes, small capitals, extra ornaments and symbols including speech bubbles, onomatopoeia and dingbats, as well as text figures and other stylistic alternatives.