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Gangster's moll In film noir movies about crime, the gangster's moll is usually an attractive, blonde — often a variant of the bimbo stereotype — who may be a former showgirl. The gangster often uses the moll as a "trophy" to boost his status. The gangster's girlfriend in the 1931 film The Public Enemy
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Good Girl Art (GGA) is a style of artwork depicting women primarily featured in comic books, comic strips, and pulp magazines. [1] The term was coined by the American Comic Book Company, appearing in its mail order catalogs from the 1930s to the 1970s, [2] and is used by modern comic experts to describe the hyper-sexualized version of femininity depicted in comics of the era.
Danger Girl is an American comic book series created by J. Scott Campbell and Andy Hartnell that started in March 1998 and is still published as a new series. The comic stars an eponymous group of three sexy female secret agents—Abbey Chase, Sydney Savage and Sonya Savage—who engage in adventures in the vein of other fictional characters like Charlie's Angels, James Bond and Indiana Jones.
An iconic Gibson Girl portrait by its creator, Charles Dana Gibson, circa 1891 The Gibson Girl was the personification of the feminine ideal of physical attractiveness as portrayed by the pen-and-ink illustrations of artist Charles Dana Gibson during a 20-year period that spanned the late 19th and early 20th centuries in the United States. [1]
A gun moll or gangster moll or gangster's moll is the female companion of a male professional criminal. "Gun" was British slang for thief, derived from Yiddish ganef ( גנבֿ ). [ 1 ] " Moll" is also used as a euphemism for a woman prostitute.
Voiced by: Masami Suzuki (Gunslinger Girl), Mayuko Takahashi (Gunslinger Girl: Il Teatrino) (Japanese); Colleen Clinkenbeard (English) A former officer of the Guardia di Finanza and now an agent for Section 2 who loves and genuinely cares for the girls and Angelica in particular. She has a chirpy personality when not on duty.
The art of tattooing dates back to 8000 BC when it was used as a means of identification amongst different cultures. [5] Ancient Greek and Roman histories, as well as ancient Japanese and Chinese histories possess a record of criminality being associated with tattoos, but it was not until the 16th to 18th century that this notion became more prevalent in other parts of the world.