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Hangsaman is a 1951 gothic novel by American author Shirley Jackson. The second of Jackson's published novels, Hangsaman is a bildungsroman centering on lonely college freshman Natalie Waite, who descends into madness after enrolling in a liberal arts college. [1] The novel takes its title from an old folk ballad.
Come Along with Me is a posthumous collection of works by American writer Shirley Jackson.It contains the incomplete titular novel, on which Jackson was working at the time of her death, three lectures delivered by Jackson, and sixteen short stories, mostly in the gothic genre, including Jackson's best known work, "The Lottery".
Shirley Hardie Jackson (December 14, 1916 – August 8, 1965) was an American writer known primarily for her works of horror and mystery.Her writing career spanned over two decades, during which she composed six novels, two memoirs, and more than 200 short stories.
The Road Through the Wall was Jackson's first novel. She began writing it while her husband, literature critic Stanley Edgar Hyman, was writing a book of literary analysis, titled The Armed Vision. Jackson loosely based the novel on her childhood, growing up in an affluent California neighborhood.
Author Shirley Jackson (1916–1965) was possibly inspired by Welden's vanishing when she wrote her novel Hangsaman (1951), as indicated by Jackson's papers in the Library of Congress. [21] At the time of Welden's disappearance in 1946, Jackson was living in North Bennington, where her husband was employed at Bennington College.
Like Mother Used to Make" is a short story by Shirley Jackson. It was originally published in the 1949 short story collection The Lottery and Other Stories by publisher Farrar, Straus and Giroux . It contains the second appearance of James Harris, a recurring character in the collection.
Life Among the Savages is a collection of short stories edited into novel form, written by Shirley Jackson.Originally these stories were published individually in women's magazines such as Good Housekeeping, Woman's Day, Mademoiselle, and others.
Publishers Weekly describes Just An Ordinary Day as a "feast" "[f]or Jackson devotees, as well as first-time readers . . . a virtuoso collection," [2] while Kirkus Reviews writes: "There's rather a lot of inchoate work here . . . and many of the bland titles were obviously only preliminary.