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The text is one of the Vaishnava Upanishads, [8] completed before about 1500 CE, [9] and includes two verses called the Maha-mantra. [2] The modern era Kali-Santarana Upanishad is the earliest known Hindu text where this widely known mantra appears. [9] It was popularized by one of the Bhakti movement leaders Chaitanya Mahaprabhu in the 16th ...
Vivekananda's prayer to Kali at Dakshineswar is an event which occurred in September 1884 when Swami Vivekananda (then known as Narendranath Dutta), following the suggestion of Ramakrishna, went to the Kali temple of Dakshineswar with the intention to pray for financial welfare, but ultimately prayed for pure knowledge, devotion and renunciation.
Etymologically the term Kali refers to one who governs time or is black. The first major appearance of Kali in the Sanskrit literature was in the sixth-century CE text Devi Mahatmya. [5] Kali appears in many stories, with the most popular one being when she manifests as personification of goddess Durga's rage to defeat the demon Raktabija.
Dhumavati is sometimes regarded as an older form of Kali, in which she represents timelessness and unmanifest life-force. [32] Another tradition identifies Dhumavati with Smashana-kali, "Kali who lives in the cremation ground." [35] She is considered a terrible aspect of the Goddess and included among the Kalikula ("family of Kali") goddesses. [36]
In Hinduism, Kali (Devanāgari: कलि, IAST: Kali, with both vowels short; from a root kad, 'suffer, hurt, startle, confuse') is the being who reigns during the age of the Kali Yuga and acts as the nemesis of Kalki, the tenth and final avatar of the Hindu preserver deity, Vishnu.
In keeping with the family custom, the newly wed couple was initiated by the family's spiritual teacher, Madhavacharya. According to traditional accounts, during initiation when the guru whispered the mantra to him, Ramprasad became consumed by intense longing for the goddess Kali. One year after the initiation, he lost his guru. [11]
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The poem glorifies the goddess Kali, whom Hindus associate with empowerment. In this poem, Vivekananda is worshiping the terrible form of the goddess (Kali is portrayed mostly in two forms: the popular four-armed form and the ten-armed Mahakali form, the "terrible" form). In the poem, he shows how the whole universe is a stage for the goddess's ...