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The kong chmol (គងឈ្មោល, literally male gong) is a Cambodian flat-faced gong, with different sizes and pitches, played in an ensemble, with players each playing one gong and responsible for one pitch, memorizing the music to play their pitch at appropriate times. [1]
The gong may also be beaten with fists. [2] It is used in the Bassac theater for sound affects or to accompany. [1] It is also used for wedding processions, when the bridegroom goes to the bride's house. [1] The gong is round and flat-faced, made of a copper-brass alloy. [1] It has a hole on the edge, through which a string is tied to make a ...
The lau (Khmer: ឡោ) is a Cambodian flat-faced gong, measuring approximately 25 centimeters across, used in Bassac theater for scenes requiring a loud instrument, such as battle scenes. [1] It is also used to signal the entrance and exit of important characters. [1] [2]
A kempul is a type of hanging gong used in Indonesian gamelan.The kempul is a set of pitched, [1] hanging, knobbed gongs, often made of bronze, wood, and cords. [2] Ranging from 19 to 25.4 cm (7.5 to 10.0 in) in diameter, the kempul gong has a flat surface with a protruding knob at the center and is played by hitting the knob with the "soft end of a mallet."
A gong chime is a generic term for a set of small, high-pitched bossed pot gongs. The gongs are ordinarily placed in order of pitch, with the boss upward on cords held in a low wooden frame. The frames can be rectangular or circular (the latter are sometimes called "gong circles"), and may have one or two rows of gongs.
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The yunluo is a set of usually ten small tuned gongs mounted in a wooden frame, with each gong being about 9-12 cm in diameter, and the height of the frame being about 52 cm. The yunluo' s gongs are generally of equal diameter but different thicknesses; the thicker gongs produce a higher pitch.
The Khmer word korng/ kong "gong" is refers to all types of gong including the flat or bossed gong, single or in a set, suspended on cords from hooks, or a gong placed over a frame. The history of these gongs can be traced in part from the epigraphy and iconography of Funan-Chenla and Angkor periods, for many can be seen carved on ancient Khmer ...