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"John Barleycorn" is an English and Scottish folk song. [1] The song's protagonist is John Barleycorn, a personification of barley and of the beer made from it. In the song, he suffers indignities, attacks, and death that correspond to the various stages of barley cultivation, such as reaping and malting .
John Barleycorn Must Die is the fourth studio album by English rock band Traffic, released in 1970 as Island ILPS 9116 in the United Kingdom, United Artists UAS 5504 in the United States, and as Polydor 2334 013 in Canada.
The song's B-side, "Go Girl, Go", has the singer complaining about having to "stand in line" to see his girlfriend now that she is a "hip-swingin', fringe-slingin' Watusi go go girl". It is featured in the compilation album Essential Pebbles, Volume 1 , where it is incorrectly titled "Go Go Girl" in the track listing, and attributed to "unknown ...
In a review of One Way Home, David Fricke of Rolling Stone described the song as a "powerful pop KO of TV pulpit pounders", with its "core riff" being "a metallic jig figure – sort of Boston meets John Barleycorn – fattened up with iron-fist guitar chords and Close Encounters synth effects". [9]
"The Men Behind the Wire" is a song written and composed by Paddy McGuigan of the Barleycorn folk group in the aftermath of Operation Demetrius. The song describes police raids in Northern Ireland by British security forces during the Troubles, and the "men behind the wire" refers to those interned without trial at HM Prison Maze, HM Prison Magilligan and onboard HMS Maidstone.
The song's spoken introduction – "A preachment, dear friends, you are about to receive on John Barleycorn, nicotine and the temptations of Eve" – dates to the 1947 novelty recording, "Cigareets, Whuskey and Wild, Wild Women", by Red Ingle and His Natural Seven.
I'm a Man You Don't Meet Every Day" is a traditional Scottish or Irish music hall song [1] written from the point of view of a rich landowner telling the story of his day while buying drinks at a public house. According to Archie Fisher, the song is "an Irish narrative ballad that has been shortened to an Aberdeenshire drinking song". [1]
The album reached number 29 in the UK Albums Chart, where it remained for four weeks, making it by far Traffic's most commercially successful album in their home country since John Barleycorn Must Die. [4] In Germany, it scored two minor hits ("Here Comes a Man" and "Some Kinda Woman") [5] and reached number 22 in the album charts. [6]