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Laird is a Scottish hereditary feudal dignity ranking below a Scottish Baron but above an Esquire; Esquire is a rank of gentry originally derived from Squire and indicating the status of an attendant to a knight, an apprentice knight, or a manorial lord; [45] it ranks below Knight (or in Scotland below Laird) but above Gentleman. [e] [f]
Incised sarcophagus slab with the Adoration of the Magi from the Catacombs of Rome, 3rd century.Plaster cast with added colour. Except for Jesus wearing tzitzit—the tassels on a tallit—in Matthew 14:36 [9] and Luke 8:43–44, [10] there is no physical description of Jesus contained in any of the canonical Gospels.
It is a book of hours, which is a Christian devotional book and a collection of prayers said at canonical hours. The manuscript was created for John, Duke of Berry, the brother of King Charles V of France, by Limbourg brothers Paul, Johan and Herman. [2] The book is now MS 65 in the Musée Condé, Chantilly, France.
Christ in Majesty or Christ in Glory (Latin: Maiestas Domini) [1] is the Western Christian image of Christ seated on a throne as ruler of the world, always seen frontally in the centre of the composition, and often flanked by other sacred figures, whose membership changes over time and according to the context.
The Light of the World (Keble College version). The Light of the World (1851–1854) is an allegorical painting by the English Pre-Raphaelite artist William Holman Hunt (1827–1910) representing the figure of Jesus preparing to knock on an overgrown and long-unopened door, illustrating Revelation 3:20: "Behold, I stand at the door and knock; if any man hear My voice, and open the door, I will ...
Jesus tells us straight out, in the Sermon on the Mount, not to be anxious. ... and like Gollum in the Lord of the Rings, slowly shriveling into something less than human, we are consumed with ...
With the world's annual celebration of his birth mere weeks away, it turns out one of the most revered figures who ever walked the Earth likely didn't look like the pictures of him.
Showing Christ "hovering" above the tomb was an Italian innovation of the Trecento, and remained mostly found in Italian art until the late 15th century. One of the claimants to be the earliest surviving works to show this iconography is the well-known fresco by Andrea da Firenze in the Spanish Chapel of the Basilica of Santa Maria Novella in ...