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Luis Palés Matos (March 20, 1898 – February 23, 1959) was a Puerto Rican poet who is credited with creating the poetry genre known as Afro-Antillano. He is also credited with writing the screenplay for the "Romance Tropical", the first Puerto Rican film with sound.
Sueño de una tarde dominical en la Alameda Central or Dream of a Sunday Afternoon at Alameda Central Park is a 15.6 meter wide mural created by Diego Rivera. It was painted between the years 1946 and 1947, and is the principal work of the Museo Mural Diego Rivera adjacent to the Alameda in the historic center of Mexico City.
Rodríguez de Tió was born Dolores Rodríguez de Astudillo y Ponce de León [note 1] in San Germán, Puerto Rico.Her father, Sebastián Rodríguez de Astudillo, was one of the founding members of the Ilustre Colegio de Abogados de Puerto Rico (literally, "Illustrious College of Attorneys," the governing body for Spanish attorneys in Puerto Rico, similar to a bar association). [2]
In modern Spanish the title might be rendered El Poema de mi Señor or El Poema de mi Jefe. The expression cantar (literally "to sing") was used to mean a chant or a song. The word Cid (Çid in old Spanish orthography), was a derivation of the dialectal Arabic word سيد sîdi or sayyid, which means lord or master.
La Poesía Sorprendida (Spanish for “Surprised poetry”) was a Dominican literary movement and avant-garde journal that existed from October 1943 to May 1947. Rebelling from the nationalism and realism that prevailed in Dominican poetry at the time, the sorprendistas sought to cultivate a universal poetics that explored the psyche and soul in surrealistic ways.