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The entire Ashleigh series is in a sort of "time bubble" and none of the events really line up with the events in the other Thoroughbred books, so it is almost a stand alone series in and of itself. Lightning's Last Hope; A Horse For Christmas; Waiting For Stardust; Good-Bye Midnight Wanderer; The Forbidden Stallion; A Dangerous Ride; Derby Day ...
Thoroughbred is a series of young-adult novels that revolves around Kentucky Thoroughbred racing and equestrianism. The series was started in 1991 by Joanna Campbell (better known as Jo Ann Simon, previously Haessig), and numbered 72 books, in addition to several "super editions" and a spin-off series, Ashleigh , by the time it ended in 2005.
He penned the story of Man o' War, the first book in the Thoroughbred Legends series published by Eclipse Press. For the series, he also authored the books on War Admiral, Nashua, and Bold Ruler. Bowen's most recent book was Matriarchs, Volume 2: More Great Mares of Modern Times , released in October 2008. [citation needed]
Thoroughbred (series) A Turf Conspiracy (novel) U. Under a Cloud (novel) Under Orders; W. Whip Hand This page was last edited on 2 September 2024, at 21:28 (UTC). ...
Per the research and subsequent book Exterminator (#18 in the Thoroughbred Legends series), author Eva Jolene Boyd reviewed all records of his starts and the record keeping by the Daily Racing Form and found evidence that he only had 99 official racing starts.
The Saddle Club is a series of intermediate children's books published by Bantam Books between 1988 and 2001. The series was created by a publishing house using the contract writing services of self-professed equestrian novice Bonnie Bryant. Many titles were also written by ghostwriters. Spin-offs include four other book series: The Saddle Club ...
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The small number of books published in each line every month are numbered sequentially within the line. [9] Irish Thoroughbred was number 81 in the Silhouette Romance line. [10] Novels in this line espouse more traditional family values and place greater emphasis on the characters' emotions rather than their physical needs.