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The travails of apartheid South Africa speak to today's rise in authoritarianism, which William Kentridge probes in his art.
In Los Angeles, Segal was all praise: "Director and animator William Kentridge skillfully integrates the movement of actors and puppets with his often startling animated chalk-drawings and live-action imagery projected at the back of the stage. 'Ubu' may be unrelievedly depressing, but it is executed with consummate artistry."
William Kentridge (born 28 April 1955) is a South African artist best known for his prints, drawings, and animated films, especially noted for a sequence of hand-drawn animated films he produced during the 1990s. The latter are constructed by filming a drawing, making erasures and changes, and filming it again.
Witness to Apartheid; A World Apart (1988 film) The World Unseen; Z. Zulu (2013 film)
And William Kentridge’s latest chamber opera, which is having its U.S. premiere at the Wallis in Beverly Hills, lives up to that title as one of the celebrated South African artist's most ...
The nine-episode series by Kentridge – who is celebrated around the world for his influential works comprising animation, installations, theater, opera and films – first previewed as a rough ...
The film centers on the real life stories of South African contemporary artists William Kentridge and Marlene Dumas who are also well known as popular artists in international contemporary art. [2] The film shows them in discussion regarding drawing, painting and filmmaking. [3] The film was screened at the 2009 Encounters Documentary Film ...
The Truth and Reconciliation Commission (TRC) was a court-like restorative justice [1] body assembled in South Africa in 1996 after the end of apartheid. [a] Authorised by Nelson Mandela and chaired by Desmond Tutu, the commission invited witnesses who were identified as victims of gross human rights violations to give statements about their experiences, and selected some for public hearings.