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Locking is a style of funk dance. The name is based on the concept of locking movements, which means freezing from a fast movement and "locking" in a certain position, holding that position for a short while and then continuing at the same speed as before. It relies on fast and distinct arm and hand movements combined with more relaxed hips and ...
Don "Campbellock" Campbell (January 8, 1951 – March 30, 2020) was an American dancer and choreographer who was best known for having invented the "locking" dance, [1] and for his work with The Lockers. Born in Saint Louis, Missouri in January 1951, Campbell discovered dance while studying commercial art at Los Angeles Trade–Technical ...
The Lockers (originally named The Campbell Lockers) was a dance group formed by Toni Basil and Don "Campbellock" Campbell in 1971. Active throughout the 1970s, they were pioneers of street dance . Campbell is the founder of the locking dance style , and originally, locking was called The Campbellock—a style that was based on the dance and ...
The history of hip-hop dances encompasses the people and events since the late 1960s that have contributed to the development of early hip-hop dance styles, such as uprock, breaking, locking, roboting, boogaloo, and popping. African Americans created uprock and breaking in New York City.
Lloyd was one of the first full-time dance critics writing for major American newspapers, and one of the first to focus on modern dance. Historian Lynne Conner contextualizes dance criticism in major American newspapers with music criticism, which she argues became commonplace in large-city papers in the 1860s, and became more conservative in the late 19th century.
The Dance Research Journal is a triannual peer-reviewed academic journal publishing scholarly articles, book reviews, and other reports of interest to the field of dance research, with its primary orientation being towards the historical and critical theory of dance. The journal was published by Cambridge University Press on behalf of the ...
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Lynn Theresa Garafola (born December 12, 1946) is an American dance historian, linguist, critic, curator, lecturer, and educator. A prominent researcher and writer with broad interests in the field of dance history, she is acknowledged as the leading expert on the Ballets Russes de Serge Diaghilev (1909–1929), the most influential company in twentieth-century theatrical dance.