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Ayeneh-kari in the main hall of Emarat-e Badgir, Golestan Palace, Tehran, Iran. Ayeneh-kari [1] (Persian: آینهکاری) is a kind of Iranian interior decoration where artists assemble finely cut mirrors together in geometric, calligraphic or foliage forms (inspired by flowers and other plants). [2]
The center of King Völsung's hall Völsung's hall is built around the tree, it bears "fair blossoms", and stretches through the roof of the structure. The tree is flanked on both sides by large hearths. Völsunga saga: Glasir: In front of the doors of Valhalla (unattributed verse, Prose Edda) A particularly beautiful tree with red-gold foliage
The Mirror Hall is a relatively small hall designed by Haj Abd ol Hossein Memar Bashi (Sanie ol Molk). Salam Hall (Talar-e Salam) Entrance of Salam Hall.
Mirror Hall (Persian: تالار آینه tālār-e āyeneh) is an oil on canvas painting by Iranian realist painter Kamal-ol-Molk, his first work since receiving the title Kamal-ol-Molk ("Perfection of the Realm"). [1] [2] It is considered one of his masterpieces, and marks a starting point in Iran's modern art. [3] [4]
The hall house is a type of vernacular house traditional in many parts of England, Wales, Ireland and lowland Scotland, as well as northern Europe, during the Middle Ages, centring on a hall. Usually timber-framed , some high status examples were built in stone.
The hall is 33 by 23 metres (108 by 75 ft) in size, and features a traditional architectural style, with a gabled and hipped roof. On either side of its main stairway were planted trees which would become very famous and sacred, a cherry (sakura) on the eastern, left side, and a tachibana orange tree on the right to the west. The garden of ...
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