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God the Father turning the press and the Lamb of God at the chalice. Prayer book of 1515–1520. The image was first used c. 1108 as a typological prefiguration of the crucifixion of Jesus and appears as a paired subordinate image for a Crucifixion, in a painted ceiling in the "small monastery" ("Klein-Comburg", as opposed to the main one) at Comburg.
Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...
The Lismore Crucifixion Plaque is an early medieval Irish brass sculpture showing the Christ crucified in a long robe, with two biblical figures (Stephaton and Longinus) in the quadrants below his outstretched arms, and two angels in the quadrants above them.
The crucifixion of Jesus is one of the most illustrated events in human history.. For centuries, artists have reimagined it as a form of remembrance and as a means to convey the story of brutality ...
The Sermon on the Mount may be compared with the similar but shorter Sermon on the Plain as recounted by the Gospel of Luke (Luke 6:17–49), which occurs at the same moment in Luke's narrative, and also features Jesus heading up a mountain, but giving the sermon on the way down at a level spot. Some scholars believe that they are the same ...
The icons do not depict the moment of the Resurrection, but show the Myrrhbearers, or the Harrowing of Hell. [15] Usually the resurrected Christ is rescuing Adam and Eve, and often other figures, symbolizing the salvation of humanity. [16] His posture is often very active, paralleling the Western depictions that show him climbing out of the tomb.
The crucifixion of Jesus was the death of Jesus by being nailed to a cross. [note 1] It occurred in 1st-century Judaea, most likely in AD 30 or AD 33.It is described in the four canonical gospels, referred to in the New Testament epistles, and later attested to by other ancient sources.
Crucifixion plaques are a type of Early Medieval bronze sculpture consisting of a central panel of the still alive but crucified Jesus. He is surrounded by four smaller ancillary panels showing Stephaton and Longinus (the lance and sponge bearers) in the lower quadrants, and two hovering attendant angels in the quadrants above his arms.