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Guo was struck by the beauty of the horse and selected it for national and international exhibition. [4] The horse in the bronze is a breed brought back from Fergana by a punitive expedition sent by Emperor Han Wudi in 104 BCE. These "celestial horses" were highly prized as marks of status. [5]
Xu Beihong (Chinese: 徐悲鴻; Wade–Giles: Hsü Pei-hung; 19 July 1895 – 26 September 1953), also known as Ju Péon, was a Chinese painter. [1]He was primarily known for his Chinese ink paintings of horses and birds and was one of the first Chinese artists to articulate the need for artistic expressions that reflected a modern China at the beginning of the 20th century.
The Horses of Neptune, illustration by Walter Crane, 1893.. Horse symbolism is the study of the representation of the horse in mythology, religion, folklore, art, literature and psychoanalysis as a symbol, in its capacity to designate, to signify an abstract concept, beyond the physical reality of the quadruped animal.
Military art often depicts the horse in battle and provides some of the earliest examples of the horse in art, with cavalry, horse-drawn chariots, and horse archers all appearing on ancient artifacts. In the medieval period, cavalry battles and knights on horseback were portrayed by artists including Paolo Uccello and Albrecht Dürer.
Big Rocking Horse; The Black Brunswicker; Black Horses (Grandma Moses) Blackie (American horse) Blessed Be the Host of the King of Heaven; The Blind Girl; Blue Horse I; Blue Horses; The Blue Rider (Kandinsky) Boar hunter (Hermitage Museum) Bonaparte Before the Sphinx; Bonaparte Crossing the Alps; Le Boulevard de Montmartre, Matinée de Printemps
A horse and rider at the canter A miniature horse at a gallop. The canter and gallop are variations on the fastest gait that can be performed by a horse or other equine.The canter is a controlled three-beat gait, [1] while the gallop is a faster, four-beat variation of the same gait. [2]