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Tobiano is a spotted color pattern commonly seen in pinto horses, produced by a dominant gene. The tobiano gene produces white-haired, pink-skinned patches on a base coat color. The coloration is almost always present from birth and does not change throughout the horse's lifetime, unless the horse also carries the gray gene.
A pinto horse, with patches of white and of another color. A pinto horse has a coat color that consists of large patches of white and any other color. Pinto coloration is also called paint, [1] particolored, [2]: 171 or in nations that use British English, simply coloured. Pinto horses have been around since shortly after the domestication of ...
The Horse in Motion is a series of cabinet cards by Eadweard Muybridge, including six cards that each show a series of six to twelve "automatic electro-photographs" depicting succesive phases in the movement of a horse, shot in June 1878. An additional card reprinted the single image of the horse "Occident" trotting at high speed, which had ...
Steel Grey/Iron Grey: A grey horse with intermingled black and white hairs. This color occurs in a horse born black, or in some cases, dark bay, and slowly lightens as the horse ages. Rose Grey: A grey horse with a reddish or pinkish tinge to its coat. This color occurs in a horse born bay or chestnut and slowly lightens as the horse ages.
The Flying Horse of Gansu, [1] also known as the Bronze Running Horse (銅奔馬) or the Galloping Horse Treading on a Flying Swallow (馬踏飛燕), is a Chinese bronze sculpture from circa the 2nd century CE.
Ermine marks: The occurrence of black marks on a white marking, most often seen on leg markings just above the hoof. May cause the hoof to be striped. "Medicine hat": An unusual type of Pinto or Paint coloring where the horse has dark ears and poll (like a hat on the head), but surrounded on all sides of the head and neck by white. [5]
The Horses of Neptune, illustration by Walter Crane, 1893.. Horse symbolism is the study of the representation of the horse in mythology, religion, folklore, art, literature and psychoanalysis as a symbol, in its capacity to designate, to signify an abstract concept, beyond the physical reality of the quadruped animal.
Xu Beihong (Chinese: 徐悲鴻; Wade–Giles: Hsü Pei-hung; 19 July 1895 – 26 September 1953), also known as Ju Péon, was a Chinese painter. [1]He was primarily known for his Chinese ink paintings of horses and birds and was one of the first Chinese artists to articulate the need for artistic expressions that reflected a modern China at the beginning of the 20th century.