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The cover became their biggest hit, reaching #20 on the US singles chart, and they followed it with the release of an album that included their interpretations of Bob Dylan's "Like a Rolling Stone", The Doors' "Touch Me", Blood, Sweat & Tears' "I Can't Quit Her" (US #67), and Simon & Garfunkel's "For Emily, Whenever I May Find Her".
It failed to generate any Top 40 singles, although "I Love You More Than You'll Ever Know" and "I Can't Quit Her" found some play on progressive rock radio. In 2012, the album was ranked number 266 on Rolling Stone magazine's list of the 500 greatest albums of all time .
Jim Fielder - bass guitar; Al Kooper - Piano, Organ, lead vocals on "I Can't Quit Her" and " I Love You More Than You'll Ever Know" Dick Halligan - organ, piano, electric piano, harpsichord, celeste, trombone, flute, alto flute, baritone horn, vocals; Fred Lipsius - piano, organ, alto saxophone, clarinet, vocals
By the year 1900, the Stradella bass system had principally reached its current construction with 120 buttons over six rows. However, while that setup worked well for major and minor music accompanied by many chords, the performer would only have access to about a major seventh of bass notes while playing, or two octaves with a timely shift of registers.
"For Emily, Whenever I May Find Her" is a song written by Paul Simon and recorded by American music duo Simon & Garfunkel on their third studio album, Parsley, Sage, Rosemary and Thyme (1966). It is sung solely by Art Garfunkel , and consists mainly of his vocals with heavy reverb and a 12-string acoustic guitar.
Accompanying Rush on lead guitar and vocal are Big Walter Horton on harmonica, Red Holloway on tenor sax, Lafayette Leake on piano, Wayne Bennett on second guitar, Dixon on bass, and Al Duncan on drums. [5] "I Can't Quit You Baby" was a vehicle for arranger-producer Dixon to launch Rush and Cobra Records, as it was the first single for both. [3]
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
IMSLP logo (2007–2015) The blue letter featured in Petrucci Music Library logo, used in 2007–2015, was based on the first printed book of music, the Harmonice Musices Odhecaton, published by Ottaviano Petrucci in 1501. [5] From 2007 to 2015, the IMSLP / Petrucci Music Library used a logo based on a score.