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Tetsuo: The Iron Man (鉄男, Tetsuo, 'iron man') is a 1989 Japanese science fiction horror film directed, written, produced, and edited by Shinya Tsukamoto.The film centers on an unnamed Japanese salaryman who wakes up to find pieces of metal sprouting from various parts of his body and becomes haunted by visions of metal-oriented sexual fantasies.
Shinya Tsukamoto (塚本 晋也, Tsukamoto Shin'ya, born January 1, 1960) is a Japanese filmmaker and actor. With a considerable cult following both domestically and abroad, Tsukamoto is best known for his body horror/cyberpunk film Tetsuo: The Iron Man (1989), which is considered the defining film of the Japanese Cyberpunk movement, [1] as well as for its companion pieces Tetsuo II: Body ...
Kei Fujiwara (不二稿 京, Fujiwara Kei, born March 12, 1957) is a Japanese actress, cinematographer, director and writer. Her first role was in the American film The Neptune Factor, but she is perhaps best known for starring in the Japanese cyberpunk cult film Tetsuo: The Iron Man. [1]
Tetsujin 28-gō (Japanese: 鉄人28号, Hepburn: Tetsujin Nijūhachi-gō, lit."Iron Man No. 28"), known as simply Tetsujin 28 in international releases, is a 1956 manga written and illustrated by Mitsuteru Yokoyama, who also created Giant Robo.
Tetsuo: The Bullet Man is a 2009 Japanese cyberpunk body horror thriller film directed by Shinya Tsukamoto. [2] The film is a standalone sequel to Tetsuo: The Iron Man (1989) and Tetsuo II: Body Hammer (1992), and follows a man who transforms into a rageful metallic being after his son is killed in a car crash.
Tetsuo II: Body Hammer (鉄男II Body Hammer) is a 1992 Japanese tokusatsu cyberpunk body horror film directed by Shinya Tsukamoto. [2] It is a bigger-budget sequel to Tsukamoto's 1989 film Tetsuo: The Iron Man, utilizing similar themes and ideas as his first film, and largely the same cast, though the story is not a direct continuation of that of its predecessor.
Soto, clad in an all-black, $190 sweatsuit and carrying a $3,350 backpack, arrived at Clover Park in Port St. Lucie right around 7 a.m. Birds chirped peacefully in the dew-drenched morning as the ...
Death Powder is the oldest of the five films, followed by Akira and Tetsuo: The Iron Man, which are both from 1988. The two other films, used as models for the sub-genre are 964 Pinocchio (1991) and Rubber's Lover (1996) both directed by Shozin Fukui. In all of these films, technology serves as a mediator of our actions, interactions, and ...