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"I Think I'm Paranoid" is a song written, performed and produced by rock band Garbage and was the second single released from their second album Version 2.0. The song was released internationally in July 1998, following up on the success of the band's prior hit, " Push It ".
The song is an E minor pentatonic and only uses power chords. The guitar solo is a dry signal on the left channel, which is patched through a ring modulator and routed to the right channel; this effect was used again on the 1978 song, "Johnny Blade". According to extant lyric sheets, "Paranoid" was at one time titled "The Paranoid." [7]
According to AllMusic's Steve Huey, in the song Black Sabbath extracted the so-called "blue note" from the standard pentatonic blues scale and developed a heavy metal riff. [7] The main riff is a G5 power chord followed by an octave into a tritone away from the chord's root. The riff is fairly simple, highlighting the dissonant and dark sound ...
The key note, or tonic, of a piece of music is called note number one, the first step of (here), the ascending scale iii–IV–V. Chords built on several scale degrees are numbered likewise. Thus the chord progression E minor–F–G can be described as three–four–five, (or iii–IV–V).
F major is the home key of the English horn, the basset horn, the horn in F, the trumpet in F and the bass Wagner tuba. Thus, music in F major for these transposing instruments is written in C major. These instruments sound a perfect fifth lower than written, with the exception of the trumpet in F which sounds a fourth higher.
The implementation of chords using particular tunings is a defining part of the literature on guitar chords, which is omitted in the abstract musical-theory of chords for all instruments. For example, in the guitar (like other stringed instruments but unlike the piano ), open-string notes are not fretted and so require less hand-motion.
The bassist (electric bass or double bass) uses the chord symbols to help improvise a bass line that outlines the chords, often by emphasizing the root and other key scale tones (third, fifth, and in a jazz context, the seventh). The lead instruments, such as a saxophonist or lead guitarist, use the chord chart to guide their improvised solos.
In contrast, in the chord-scale system, a different scale is used for each chord in the progression (for example mixolydian scales on A, E, and D for chords A 7, E 7, and D 7, respectively). [5] Improvisation approaches may be mixed, such as using "the blues approach" for a section of a progression and using the chord-scale system for the rest. [6]