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Robert Evans, editor, Song to a Seagull, collected Canadian songs and poems John Glassco, editor, The Poetry of French Canada in Translation, translated by English-speaking poets, including E. J. Pratt, Al Purdy, Leonard Cohen; and poetic lyrics from recent songs
Poètes maudits d'aujourd'hui: 1946–1970 (in English: The accursed poets of today: 1946–1970) is an anthology edited by the poet Pierre Seghers, and published by his own company, Seghers. Each of the twelve poets in the book is introduced by a short study and represented by a selection of their writings.
Jérôme Carcopino (1881–1970) Louis Pergaud (1882–1915) Jean Giraudoux (1882–1944) ... Lists of French-language poets, French novelists, French people, authors;
In 1970, he was awarded the Grand Prize of Poetry from L'Académie française for his life's work. [4] A small part of his archives is conserved at the Musée des Beaux-Arts de Saint-Lô in France. [3] Prix littéraire Jean Follain de la Ville de Saint Lô is a literary award honouring his name and contributions to French literature. [3]
1970 in poetry (2 C) 1971 in poetry (2 C) 1972 in poetry (2 C) 1973 in poetry (2 C) 1974 in poetry (2 C) 1975 in poetry (2 C) 1976 in poetry (2 C) 1977 in poetry (2 C)
The Martian poets were English poets of the 1970s and early 1980s, including Craig Raine and Christopher Reid. Through the heavy use of curious, exotic, and humorous metaphors, Martian poetry aimed to break the grip of "the familiar" in English poetry, by describing ordinary things as if through the eyes of a Martian.
He won for French-language non-fiction in 1970 for Les actes retrouvés, for fiction in 1985 for Lucie ou un midi en novembre, and for poetry in 1987 for Les Heures. [ 15 ] Montreal poet Marie Uguay released the collections Signe et rumeur (1976) and L'Outre-vie (1979) during her lifetime, and more works were published after her death at the ...
Written in October 1968, the activist poem "Speak White" by Quebec poet Michèle Lalonde references the expression's derogatory use against French-speaking Canadians, and the work as a whole rejects the imposition of the English language and Anglo-American culture, and denounces the political and economic oppression of the French language and those who speak it. [1]