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1918 "Songs of Zion" In 1908, nine LDS Church mission presidents collaborated to produce a more simple hymnal with music and text. At the time, there were several songbooks and hymnbooks in use in Utah, including the Latter-day Saints' Psalmody, the Manchester Hymnal, the Deseret Sunday School Union Songbooks, Primary hymnbooks for children, etc.
God Is Love (Women) Thomas R. Taylor: Thomas C. Griggs: 314: How Gentle God's Commands (Women) Philip Doddridge: Hans Georg Nägeli: Arr.: Lowell Mason: 315: Jesus, the Very Thought of Thee (Women) Bernard of Clairvaux: John B. Dykes: Trans.: Edward Caswall (from Latin) 316: The Lord Is My Shepherd (Women) James Montgomery: Thomas Koschat: 317 ...
We'll sing and we'll shout with the armies of heaven: Hosanna, hosanna to God and the Lamb! Let glory to them in the highest be given, Henceforth and forever: amen and amen! The chorus is sung as above after each stanza. However the first line becomes "We'll sing and we'll shout with His armies of heaven" for the last chorus in the original ...
George D. Pyper described "We Thank Thee, O God, for a Prophet" as "exclusively a Latter-day Saint hymn; a Mormon heartthrob; a song of the Restoration". [2] The name of the hymn is often used as the title of lessons in church curriculum [ 3 ] or as the title of church sermons [ 4 ] and inspirational messages.
The hymn has been called the anthem of the nineteenth-century Mormon pioneers [1] and "the landmark Mormon anthem." [2] Clayton wrote the hymn "All is Well" on April 15, 1846, as his Mormon pioneer caravan rested at Locust Creek, Iowa, over 100 miles west of its origin city of Nauvoo, Illinois. Just prior to writing the lyrics, Clayton had ...
In addition to caring for the bodies of the deceased, LDS women were also responsible for planning funeral services. These involved singing songs, saying prayers, and listening to funeral sermons, [30] which were often given by at least one man possessing the Melchizedek priesthood. [33]
In the 19th century, the Mormon Tabernacle Choir was created and began touring, while musicians began writing devotional and praise music with a Latter-Day Saint influence, paralleling the success of Christian Contemporary Music. Several organizations have existed and do exist to promote these artists, such as Deseret Book and the now-defunct ...
Popular funeral passages were easily recognized by Mormons at the time. Speakers placed various verses "in the context of the restored truths of an all-encompassing plan of salvation," emphasizing the eternal nature of family units. Quoting just the Book of Mormon and Doctrine and Covenants during funeral sermons became more common after 1850. [29]