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The non-fiction novel is a literary genre that, broadly speaking, depicts non-fictional elements, such as real historical figures and actual events, woven together with fictitious conversations and uses the storytelling techniques of fiction.
Genres are formed shared literary conventions that change over time as new genres emerge while others fade. As such, genres are not wholly fixed categories of writing; rather, their content evolves according to social and cultural contexts and contemporary questions of morals and norms.
There is disagreement regarding the number of pages or words necessary for a story to be considered a novella, a short story or a novel. [2] The Science Fiction and Fantasy Writers Association defines a novella's word count to be between 17,500 and 40,000 words; [3] [4] at 250 words per page, this equates to 70 to 160 pages.
Genre fiction, also known as formula fiction [1] or popular fiction, is a term used in the book-trade for fictional works written with the intent of fitting into a specific literary genre in order to appeal to readers and fans already familiar with that genre.
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A novel is a long, fictional narrative. The novel in the modern era usually makes use of a literary prose style. The development of the prose novel at this time was encouraged by innovations in printing, and the introduction of cheap paper in the 15th century. Several characteristics of a novel might include:
In this essay, Bakhtin attempts to outline a theory of the novel and its unique properties by comparing it to other literary forms, in particular the epic.Bakhtin sees the novel as capable of achieving much of what other forms cannot, including an ability to engage with contemporary reality, and an ability to re-conceptualize the individual in a complex way that interrogates his subjectivity ...
Sarah Lyall in The New York Times writes ahead of publication that Brodsky's decision to entitle the novel *** "does present its own difficulties". [1] The novel was reviewed by Brian Evenson in Review of Contemporary Fiction, [2] Scott L. Powers in the Boston Globe, [3] and Judith Upjohn in American Book Review, [4] as well as in Publishers Weekly [5] and Library Journal.