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The first wallpaper pattern he designed for his company was the Trellis wallpaper in 1864. It was inspired by the roses he grew on the trellis at his residence, the Red House . However, two years passed between the time he designed the paper and the time he was able to print it to his satisfaction.
Jasmine Becket-Griffith (born June 4, 1979) is a freelance artist who specializes in fairy, fantasy, and gothic artwork. Her preferred medium is acrylic paints on wood and her designs appear on many lines of licensed merchandise and publications, notably through the chain stores Hot Topic and collectibles through the Bradford Group including co-branded Disney projects.
At the end of the Restoration (1814–1830) and during the Louis-Philippe period (1830-1848), Gothic Revival motifs start to appear in France, together with revivals of the Renaissance and of Rococo. During these two periods, the vogue for medieval things led craftsmen to adopt Gothic decorative motifs in their work, such as bell turrets ...
Brought to public attention by the 1998 exhibition of Victorian fairy paintings at the Royal Academy of Arts his paintings have since sold for up to £500,000, although most sell at prices between £30,000 and £120,000. [10] His younger daughter, Florence Harriet Fitzgerald (1857–1927), was a painter and sculptor.
The Fairy Feller's Master-Stroke is a painting by English artist Richard Dadd. It was begun in 1855 and worked on until 1864. It was begun in 1855 and worked on until 1864. Dadd painted it while incarcerated in the State Criminal Lunatic Asylum of Bethlem Royal Hospital , where he was confined after he murdered his father in 1843. [ 1 ]
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Germanic lore featured light and dark elves (Ljósálfar and Dökkálfar).This may be roughly equivalent to later concepts such as the Seelie and Unseelie. [2]In the mid-thirteenth century, Thomas of Cantimpré classified fairies into neptuni of water, incubi who wandered the earth, dusii under the earth, and spiritualia nequitie in celestibus, who inhabit the air.
The Gothic double is a literary motif which refers to the divided personality of a character. Closely linked to the Doppelgänger, which first appeared in the 1796 novel Siebenkäs by Johann Paul Richter, the double figure emerged in Gothic literature in the late 18th century due to a resurgence of interest in mythology and folklore which explored notions of duality, such as the fetch in Irish ...