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Endgame is an absurdist, tragicomic one-act play by Irish playwright Samuel Beckett. It is about a blind, paralyzed, domineering elderly man, his geriatric parents, and his servile companion in an abandoned house in a post-apocalyptic wasteland, who await an unspecified "end".
Act Without Words I is a short play by Samuel Beckett.It is a mime, Beckett's first (followed by Act Without Words II).Like many of Beckett's works, the play was originally written in French (Acte sans paroles I), being translated into English by Beckett himself.
Krapp's Last Tape is a 1958 one-act play, in English, by Samuel Beckett.With a cast of one man, it was written for Northern Irish actor Patrick Magee and first titled "Magee monologue".
Samuel Barclay Beckett (/ ˈ b ɛ k ɪ t / ⓘ; 13 April 1906 – 22 December 1989) was an Irish-born writer of novels, plays, short stories and poems.His literary and theatrical work features bleak, impersonal, and tragicomic experiences of life, often coupled with black comedy and nonsense.
Play is a one-act play by Samuel Beckett.It was written between 1962 and 1963 and first produced in German as Spiel on 14 June 1963 at the Ulmer Theatre in Ulm-Donau, Germany, directed by Deryk Mendel, with Nancy Illig (W1), Sigfrid Pfeiffer (W2) and Gerhard Winter (M).
Fin de partie is a one-act opera by György Kurtág, set to a French-language libretto adapted by the composer from the play Endgame (French title: Fin de partie) by Samuel Beckett, with the inclusion of a setting of Beckett's English-language poem "Roundelay" at the start of the opera. [1]
Malone Dies is a novel by Samuel Beckett.It was first published in 1951, in French, as Malone meurt, and later translated into English by the author.. Malone Dies contains the famous line, "Nothing is more real than nothing" – a metatextual echo of Democritus's "Naught is more real than nothing," which is referenced in Beckett's first published novel, Murphy (1938).
Waiting for Godot (/ ˈ ɡ ɒ d oʊ / ⓘ GOD-oh or / ɡ ə ˈ d oʊ / ⓘ gə-DOH [1]) is a play by Irish playwright Samuel Beckett in which two characters, Vladimir (Didi) and Estragon (Gogo), engage in a variety of discussions and encounters while awaiting the titular Godot, who never arrives. [2]