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New Deal art was installed in the Social Security building (now HHS), the Department of the Interior, the Department of Justice building, the Department of Labor building (now Customs and Immigration), the Apex building (now Federal Trade Commission), the Government Printing Office Annex, the Home Owners Loan Corporation, the National Zoological Park, the District of Columbia Recorder of Deeds ...
Portion of Coit Tower mural (San Francisco), by Lucian Labaudt, featuring Eleanor Roosevelt. Created in the New Deal's Public Works of Art Project, 1934. The Living New Deal is a California non-profit corporation based in the San Francisco Bay Area and affiliated with the Department of Geography at the University of California, Berkeley.
Collectively, the artists of the New Deal produced a vast archive: Murals, including 1,100 post office murals , [6] free-standing and bas relief sculpture, an estimated 30,000 posters, [7] more than 700 books and pamphlets and radio scripts, [8] and architectural details for scores of public buildings, in a style now called WPA Moderne. [9]
The Federal Art Project (1935–1943) was a New Deal program to fund the visual arts in the United States. Under national director Holger Cahill, it was one of five Federal Project Number One projects sponsored by the Works Progress Administration (WPA), and the largest of the New Deal art projects.
Photograph of the regional directors and Washington, D.C., administrative staff of the Public Works of Art Project (1934) Regional map, Public Works of Art Project The vision and advocacy of artists George Biddle and Edward Bruce are credited for the creation and management of the New Deal art programs of the United States Department of the Treasury.
In existence during the Great Depression in the United States, the Section of Painting and Sculpture was a public-art program administered by the Procurement Division of the Treasury Department as part of President Franklin D. Roosevelt's New Deal. Like other New Deal public-art programs, the Section (as it was commonly called) was designed to ...
The Founding Fathers often serve as a rhetorical backstop for progressives who wish to dismiss conservatives’ concerns about erasing history. Whatever happens, “nobody’s going to get rid of ...
The mural paintings by Anton Refregier in the Rincon Annex of the San Francisco Post Office, San Francisco, California (M.A. thesis). Arizona State University. Gelber, Steven M. (1979). "Working to Prosperity: California's New Deal Murals". California History. 58 (2). California Historical Society: 98– 127. doi:10.2307/25157905. JSTOR 25157905.