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Tree shaping (also known by several other alternative names) uses living trees and other woody plants as the medium to create structures and art. There are a few different methods [2] used by the various artists to shape their trees, which share a common heritage with other artistic horticultural and agricultural practices, such as pleaching, bonsai, espalier, and topiary, and employing some ...
Tree shapers when looking for a new tree species to try generally look for trees that grow well in the area, are less prone to insect damage, and are less susceptible to disease. [5] Given grafting and the trees ability of inosculation form a fundamental technique, trees that graft well are preferred in construction style projects. The region ...
The Blue Trees, 2011 Vancouver Biennale, Canada. The Blue Trees is a performance and installation artwork by the artist Konstantin Dimopoulos that uses a colour transformation to provoke discussion about global deforestation. [1] The trunk and branches of live trees are coloured blue using a biologically safe natural pigment in water. [2]
A Tree of 40 Fruit fruiting in the artist's nursery. Each spring the tree's blossom is a mix of different shades of red, pink and white. [3] The tree of 40 fruits was originally conceived as an art project, and Sam Van Aken hoped that people would notice that the tree has different kinds of flower in spring and has different types of fruit in ...
Wish Tree is an ongoing art installation series by Japanese artist Yoko Ono, started in 1996, [1] in which a tree native to a site is planted under her direction. Viewers are usually invited to tie a written wish to the tree except during the winter months when a tree can be more vulnerable.
The 1,200 ft (370 m)-long sculpture is made out of Eucalyptus branches. [4] Its message is that "transformation is inevitable", as the line will one day deteriorate and return to the ground, where it originally came from. Wood Line contrasts with Spire, another Goldsworthy work that towers 100 ft (30 m) tall. [1]
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Saikei designs, on the other hand, are firmly based on a physical layout of stones and imaginative groundscaping, less so on the trunk shape, branch placement, and trimmed foliage of the small trees located thereupon. Deborah Koreshoff, author of Bonsai: Its Art, Science, and Philosophy, describes the distinction: " . . . [W]hen we make a ...