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The first of the Trois nouvelles études is an intimate piece in F minor.It develops students' facility with 3-on-4 polyrhythms. [1]The key of the second étude is A ♭ major sits atop a series of chords in the right hand with a simple bass in the left hand.
The exact date of composition is unknown; although the second reissue of the score bears the date 1908, sources suggest that the Sonata was not composed until the spring or summer of 1909 (Scheideler, 2006). The premiere of the Piano Sonata, Op. 1 was given in Vienna on 24 April 1911 by Etta Werndorff.
In music, Op. 1 stands for Opus number 1. Compositions that are assigned this number include: Bach – Partitas for keyboard; Bartók – Rhapsody; Beethoven – Piano Trios, Op. 1; Berg – Piano Sonata; Brahms – Piano Sonata No. 1; Chopin – Rondo in C minor; Clara Schumann – 4 Polonaises; Clifford – Symphony in E-flat
This list is sorted by opus number. [1] Op. 1, 3 sets of Variations for piano (London, 1791) 1. The Plough Boy in C major; 2. Bluhe Liebes Veilhen in G major; 3. La Belle Catherine in C major; Op. 2, 2 sets of Variations for piano (London, 1791) 1. The Lass of Richmond Hill in G major; 2. Jem of Aberdeen in G major; Op. 2a, 3 Sonatas (London ...
Bartók assigned opus numbers to his works three times. He ended this practice with the Violin Sonata No. 1, Op. 21 in 1921, because of the difficulty of distinguishing between original works and ethnographic arrangements, and between major and minor works. Since his death, three attempts—two full and one partial—have been made at cataloguing.
[1] [2] The second movement is a theme and variations inspired by the song Verstohlen geht der Mond auf. Brahms was to rewrite it for female chorus in 1859 (WoO 38/20). The third movement is a scherzo and trio. The fourth is a loose rondo whose theme is noticeably changed at every recurrence. It is highly technically demanding on the performer ...
In the conception of the time, the key of F minor is perceived as severe and passionate, and Beethoven would return to this character later, especially in the Sonatas Op. 2 No. 1 and Op. 57. The first movement, deeply Beethovenian, begins with a slow introduction that makes abundant use of contrasting registers.
Piano Trio No. 1, Op. 8, in C minor for violin, violoncello and piano is a very early chamber composition by Dmitri Shostakovich. It was performed privately in early 1924, but was not published until the 1980s. Twenty years later, the composer wrote the more well-known Piano Trio No. 2 in E minor, Op. 67.