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The bowl-back mandocello is chiefly used in mandolin orchestras and mandolin quartets, where it provides a melodic and bass role similar to the cello in a bowed string quartet. It is occasionally used as a solo instrument for the performance of classical music, such as concertos and unaccompanied repertoire originally composed for solo cello.
Samuel Adelstein described the Lombard mandolin in 1893 as wider and shorter than the Neapolitan mandolin, with a shallower back and a shorter and wider neck, with six single strings to the regular mandolin's set of 4. [38] The Lombard was tuned C–D–A–E–B–G. [38] The strings were fastened to the bridge like a guitar's. [38]
The Regal Musical Instrument Company is a former US musical instruments company and current brand owned by Saga Musical Instruments.Regal was one of the largest manufacturers in the 1930s and became known for a wide range of resonator stringed instruments, including guitars, mandolins, and ukuleles.
Apollon was born in 1898, to a Jewish family in the city of Kiev, [3] which was at the time part of Russia.At an early age, he played the violin but abandoned the instrument after taking a fervent interest in an old bowl back mandolin his father kept in the house.
The sound holes of cellos and other instruments of the violin family are known as F-holes and are located on opposing sides of the bridge. A sound hole is an opening in the body of a stringed musical instrument, usually the upper sound board. Sound holes have different shapes: Round in flat-top guitars and traditional bowl-back mandolins;
Octave mandolin construction is similar to the mandolin: The body may be constructed with a bowl-shaped back according to designs of the 18th century Vinaccia school, or with a flat (arched) back according to the designs of Gibson Guitar Corporation, popularized in the United States in the early 20th century.
[37] [39] The new wire strings required that he strengthen the mandolin's body, and he deepened the mandolin's bowl, giving the tonal quality more resonance. [37] He did not introduce the bent soundboard, as it was present in some of the instruments made by the previous generation for bronze strings.
Julius Eastman (October 27, 1940 – May 28, 1990) was an American composer, pianist, vocalist, performance artist, and conductor.He was among the first composers to combine the processes of some minimalist music with other methods of extending and modifying his music as in some experimental music.