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The bowl-back mandocello is chiefly used in mandolin orchestras and mandolin quartets, where it provides a melodic and bass role similar to the cello in a bowed string quartet. It is occasionally used as a solo instrument for the performance of classical music, such as concertos and unaccompanied repertoire originally composed for solo cello.
Flatback mandolins use a thin sheet of wood with bracing for the back, as a guitar uses, rather than the bowl of the bowlback or the arched back of the carved mandolins. Like the bowlback, the flatback has a round sound hole. This has been sometimes modified to an elongated hole, called a D-hole.
Octave mandolin construction is similar to the mandolin: The body may be constructed with a bowl-shaped back according to designs of the 18th century Vinaccia school, or with a flat (arched) back according to the designs of Gibson Guitar Corporation, popularized in the United States in the early 20th century.
There were eleven versions of his Roman pattern mandolins, indicated with the letters A or B and with a number. Type A and B were Mandolini da studio, student quality instruments. [10] Mandolins Numbers 1—4 were orchestra instruments. [11] Mandolins 5, 5-bis, and 6 were for the concert artist and soloist. [12]
The sound holes of cellos and other instruments of the violin family are known as F-holes and are located on opposing sides of the bridge. A sound hole is an opening in the body of a stringed musical instrument, usually the upper sound board. Sound holes have different shapes: Round in flat-top guitars and traditional bowl-back mandolins;
Apollon was born in 1898, to a Jewish family in the city of Kiev, [3] which was at the time part of Russia.At an early age, he played the violin but abandoned the instrument after taking a fervent interest in an old bowl back mandolin his father kept in the house.