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In cinematography, a jib is any boom device used to mount a camera on one end, and a counterweight with camera controls on the other. [1] In principle, it operates like a see-saw, with the balance point located closer to the counterweight, which allows the end of the arm with the camera to move through an extended arc. Typically a jib permits ...
Most such cranes were manually operated, requiring an experienced boom operator who knew how to vertically raise, [3] lower, and "crab" the camera alongside actors while the crane platform rolled on separate tracks. The crane operator and camera operator had to precisely coordinate their moves so that focus, pan, and camera position all started ...
C-stand – Originally known as a century-stand, it is designed to take up very little space and is generally made up of four parts, including the base, a vertical leg with multiple stands, a gobo head and a gobo arm. One of the most common pieces of equipment on a film set, it can hold a variety of reflectors, lights, show cards or boom ...
Digital Photography Review was founded in December 1998 in the United Kingdom by Philip and Joanna Askey. [4] [11] On May 14, 2007, it was acquired by Amazon.[3] [4] [21] DPReview employs a dedicated editorial team of in-house and freelance writers, and was editorially independent of Amazon.
A camera dolly is a wheeled cart or similar device used in filmmaking and television production to create smooth horizontal camera movements. The camera is mounted to the dolly and the camera operator and focus puller or camera assistant usually ride on the dolly to push the dolly back and forth.
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