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Andrea Amati (c. 1505 – 20 December 1577) designed and created the violin, viola and cello known as the "violin family". Based in Cremona, Italy , he standardized the basic form, shape, size, materials and method of construction.
This violin, now at the Metropolitan Museum of Art, may have been part of a set made for the marriage of Philip II of Spain to Elisabeth of Valois in 1559, which would make it one of the earliest known violins in existence. Andrea Amati (ca. 1505 - 1577, Cremona) was a luthier, from Cremona, Italy.
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The violin shows influence from Amati and the model is based on Amati's violins, but the narrow purfling differs from Amati's style. [3] c. 1666 The violin was owned by Eugene Sarbu. [4] Aranyi: 1667 Francis Aranyi (collector) Sold at Sotheby's London, 12 November 1986. [5] Dubois: 1667 Canimex Inc. On display at the Chimei Museum. ex-Captain ...
The oldest confirmed surviving violin, dated inside, is the "Charles IX" by Andrea Amati, made in Cremona in 1564, but the label is very doubtful. The Metropolitan Museum of Art has an Amati violin that may be even older, possibly dating to 1558 but just like the Charles IX the date is unconfirmed. [ 22 ]
Much of the price of a fine violin is determined not just by the quality of the instrument, but by the maker. Names like Amati, Guarneri, and Stradivari have become synonymous with excellence in craftsmanship and tone. Relatively unknown makers, capable of producing above-average violins, know that they might be able to command tremendous ...
A Baroque violin is a violin set up in the manner of the baroque period of music. The term includes original instruments which have survived unmodified since the Baroque period, as well as later instruments adjusted to the baroque setup, and modern replicas.
The University of Saskatchewan instruments are the only set in Canada made by the Amati family. The 1637 violin previously belonged to the Australian concert violinist Daisy Kennedy (1893–1981). The viola's back bears the painted crest, or coat of arms, of the House of Borghese, which originally commissioned it. Violin 1637, Nicola Amati (Nicolo)