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The Miura fold is a form of rigid origami, meaning that the fold can be carried out by a continuous motion in which, at each step, each parallelogram is completely flat. This property allows it to be used to fold surfaces made of rigid materials, making it distinct from the Kresling fold and Yoshimura fold which cannot be rigidly folded and ...
The origami crane diagram, using the Yoshizawa–Randlett system. The Yoshizawa–Randlett system is a diagramming system used to describe the folds of origami models. Many origami books begin with a description of basic origami techniques which are used to construct the models.
The placement of a point on a curved fold in the pattern may require the solution of elliptic integrals. Curved origami allows the paper to form developable surfaces that are not flat. [41] Wet-folding origami is a technique evolved by Yoshizawa that allows curved folds to create an even greater range of shapes of higher order complexity.
Origami historian David Mitchell has found many 19th-century European sources mentioning a paper "salt cellar" or "pepper pot" (the latter often folded slightly differently). The first of these to unambiguously depict the paper fortune teller is an 1876 German book for children.
The Huzita–Justin axioms or Huzita–Hatori axioms are a set of rules related to the mathematical principles of origami, describing the operations that can be made when folding a piece of paper. The axioms assume that the operations are completed on a plane (i.e. a perfect piece of paper), and that all folds are linear.
The folding of two origami cranes linked together from the first known technical book on origami Hiden senbazuru orikata by Akisato Rito, published in Japan in 1798. The history of origami followed after the invention of paper and was a result of paper's use in society.