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The following lists contains all the hymns composed by Sankey that are found in the "1200" edition of Sacred Songs and Solos. Many of these hymns are also found in the six-volume collection, Gospel Hymns and Sacred Songs, which Sankey edited with Philip Bliss and others, which was published in the United States between 1876 and 1891. [1]
The song opens with chimes playing Westminster Quarters followed by three strikes of the chimes to indicate three o'clock. The lyrics then begin: It's three o'clock in the morning, we've danced the whole night through. [4] This "Waltz Song with Chimes" created a sensation when it was performed in the final scene of the Greenwich Village Follies ...
So Soon in the Morning" is a traditional religious song performed in 1959 by Joan Baez and Bill Wood on Baez's first album, Folksingers 'Round Harvard Square. The duo sung it in a fast gospel tempo. The lyrics contain lines from a 19th-century hymn, " I heard the voice of Jesus say ", written in 1846 by Horatius Bonar :
The Carter hymn is also titled "I Am the Lord of the Dance" [8] and "I Danced in the Morning". [ 9 ] In 1996, the Carter hymn was adapted without authorization or acknowledgments of the origins of the tune or Carter's lyrics by Ronan Hardiman for Michael Flatley's dance musical, Lord of the Dance .
Some broadcasters that have ceased signing on and signing off in favour of 24-hour broadcasting may perform a sign-on sequence at a certain time in the morning (usually between 4:00 and 7:00 a.m.) as a formality to signify the start of its operating day (in the United States, the broadcast logging day begins at 6:00 a.m. local time).
Christmas Day in the Morning (Decca DL 5428, 1952) is the first of several Christmas albums by the folk singer Burl Ives. Subtitled Yuletide Folk Songs , this album includes seven traditional Christmas carols , from the well-known "What Child Is This?"
" Morgenglanz der Ewigkeit" (Morning splendour of eternity) is a Christian hymn with German text originally by Christian Knorr von Rosenroth, written around 1690 and set to music for private devotion. It became known with a 1662 melody by Johann Rudolf Ahle. The song is part of modern German hymnals and songbooks.
The hymns are split up by subject, such as theme (Commitment/Action, Love and Compassion, Hope, Freedom, Justice, Stewardship of the Earth) time (Morning, Evening, The Seasons, Harvest, Solstice and Equinox), origin (Music of The Cultures of the World, Words from Sacred Traditions, The Jewish Spirit, The Christian Spirit), holiday (Kwanzaa, Pesach / Passover, Hanukkah, Advent, Christmas ...