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Blue Poles, also known as Number 11, 1952, is an abstract expressionist painting by American artist Jackson Pollock. It was purchased amid controversy by the National Gallery of Australia in 1973 and today remains one of the gallery's major paintings.
Blue Poles was a centerpiece of the Museum of Modern Art's 1998 retrospective in New York, the first time the painting had been shown in America since its purchase. In November 2006, Pollock's No. 5, 1948 became the world's most expensive painting, when it was sold privately to an undisclosed buyer for the sum of US$140 million.
Painting (Silver over Black, White, Yellow and Red) ... Blue Poles (Jackson Pollock painting).jpg 485 × 206; 55 KB. No. 5, 1948.jpg 221 × 449; 50 KB
Mural is a largely abstract work with the suggestion of several human figures walking, or possibly birds, or letters and numbers, in broad swirls of black and white. It combines influences from artists such as Thomas Hart Benton, Albert Pinkham Ryder and El Greco, and Mexican mural artists such as David Alfaro Siqueiros.
One: Number 31, 1950's juxtaposition of subdued colors with splattering of paint on top represents an indispensable example of Abstract Expressionist artwork. [1] Art historian Stephen Policari considered Pollock's poured painting to represent “a kind of frozen dynamic equilibrium of endless rhythm and energy” and believed the different combinations of curves and straight lines interacted ...
James Mollison is notable for establishing the Gallery and building on the collection that had already been assembled of mainly Australian paintings by purchasing icons of modern western art, the best known were the 1974 purchases of Blue Poles by Jackson Pollock ($1.3m), and Woman V by Willem de Kooning ($650,000). These purchases were very ...
Those rotating red, white, and blue poles outside barbershops have become an icon. At first glance, you’d probably assume barber pole designs have a patriotic background. But the reality is ...
The painting played a central role in the film Ex Machina (2015), in which billionaire tech firm CEO Nathan Bateman (Oscar Isaac) owns the painting and uses it as an object lesson for the protagonist Caleb Smith (Domhnall Gleeson), noting that No. 5, 1948 would never have come into existence if Jackson Pollock only painted what he already knew ...