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1940 Henry Guttman Germany [s 2] Saint Paul's During the Blitz: July 1940 John Topham: London, England, United Kingdom 35 mm [s 2] Buckingham Palace: 13 September 1940 Cecil Beaton: London, England, United Kingdom [s 2] Moonrise, Hernandez, New Mexico: 1 November 1941 Ansel Adams Hernandez, New Mexico, United States Gelatin silver print, large ...
From the 1940s, pictures of pin-up girls were also known as cheesecake in the U.S. [1] [2] The term pin-up refers to drawings, paintings, and photographs of semi-nude women and was first attested to in English in 1941. [3] Images of pin-up girls were published in magazines and newspapers. They were also displayed on postcards, lithographs, and ...
His influence was significant during the magazine's heyday, which was roughly from 1936 until the mid-1960s. Thompson was known for the free rein he gave his editors, particularly a "trio of formidable and colorful women: Sally Kirkland, fashion editor; Mary Letherbee, movie editor; and Mary Hamman, modern living editor." [20]
Her images of the Columbia River which she developed in a darkroom on a houseboat were exhibited in 2008 at the Portland Art Museum. [54] British-born Evelyn Cameron (1868–1928) took an extensive series of remarkably clear images of Montana and its people at the end of the 19th century.
Adrien Broom (born 1980), fashion and fine art photographer specializing in images of young women; Zoe Lowenthal Brown (1927–2022), fine art photography, documentary photographic "visual essays", and portraiture. Esther Bubley (1921–1998), expressive photos of ordinary people, later specializing in children in hospitals and other medical themes
Pamella Bordes (born 1961), worked as an international photojournalist for Gamma Press Photos, exhibitions include notable images from India and Cambodia, also self-portraits; Sue Darlow (1960–2011), photographer in the UK and India; Serin George (fl 2000s), fashion photographer and model; Gauri Gill (born 1970), contemporary photographer
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[1] [2] These women sometimes took entirely new jobs replacing the male workers who joined the military. She is widely recognized in the "We Can Do It!" poster as a symbol of American feminism and women's economic advantage. [3] Similar images of women war workers appeared in other countries such as Britain and Australia. The idea of Rosie the ...