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Sans-serif typefaces have become the most prevalent for display of text on computer screens. On lower-resolution digital displays, fine details like serifs may disappear or appear too large. The term comes from the French word sans, meaning "without" and "serif" of uncertain origin, possibly from the Dutch word schreef meaning "line" or pen ...
In Judaism, bible hermeneutics notably uses midrash, a Jewish method of interpreting the Hebrew Bible and the rules which structure the Jewish laws. [1] The early allegorizing trait in the interpretation of the Hebrew Bible figures prominently in the massive oeuvre of a prominent Hellenized Jew of Alexandria, Philo Judaeus, whose allegorical reading of the Septuagint synthesized the ...
Rockwell, an example of a more geometric slab serif Clarendon, an example of a less geometric slab serif. Slab serif typefaces date to about 1817. [g] [60] Originally intended as attention-grabbing designs for posters, they have very thick serifs, which tend to be as thick as the vertical lines themselves.
The terminal (end) of an instroke or outstroke is often a serif or a stroke ending. A seriffed terminal may be described as a wedge, bulbous, teardrop, slab, etc., depending on the design of the type. Typefaces may be classified by their look, of which the weight and serif style – whether serif or sans-serif – are key features. [9]
With the rise of digital computing, variants of the Courier typeface were developed with features helpful in coding: larger punctuation marks, stronger distinctions between similar characters (such as the numeral 0 vs. the upper-case O and the numeral 1 vs. the lower-case L), sans-serif variants, and other features to provide increased legibility when viewed on screens.
Samples of sans-serif typefaces Typeface name Example 1 Example 2 Example 3 Agency FB Designer: Caleigh Huber & Morris Fuller Benton Class: Geometric : Akzidenz-Grotesk Designer: Günter Gerhard Lange Class: Grotesque : Amplitude Designer: Christian Schwartz Class: Humanist : Andalé Sans Designer: Steve Matteson Class: Humanist : Antique Olive ...
In textual criticism of the New Testament, the Western text-type is one of the main text types.It is the predominant form of the New Testament text witnessed in the Old Latin and Syriac translations from the Greek, and also in quotations from certain 2nd and 3rd-century Christian writers, including Cyprian, Tertullian and Irenaeus.
Meanwhile, the slab serifs are listed as an independent group in most typeface classifications—besides both main groups serif and sans serif. Slab-serif and sans-serif types were rarely used for continuous bodies of text; their realm was that of advertisements, title-pages and other attention-catching pieces of print.