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There are 51 Byzantine manuscripts in Greek minuscule that constitute the main basis for the text of Plato's works. [2] Codex Oxoniensis Clarkianus 39 — 895 AD; first six tetralogies, designated B. [3] Codex Parisinus graecus 1807 — circa 900 AD; last two tetralogies and the apocrypha, designated A
Many of these frequently feature Socrates and are an important part of the Socratic dialogues Wikimedia Commons has media related to Dialogues by Plato . Pages in category "Dialogues of Plato"
Plato's most self-critical dialogue is the Parmenides, which features Parmenides and his student Zeno, which criticizes Plato's own metaphysical theories. Plato's Sophist dialogue includes an Eleatic stranger. These ideas about change and permanence, or becoming and Being, influenced Plato in formulating his theory of Forms. [54]
Lysis (/ ˈ l aɪ s ɪ s /; Ancient Greek: Λύσις, genitive case Λύσιδος, showing the stem Λύσιδ-, from which the infrequent translation Lysides), is a dialogue of Plato which discusses the nature of philia (), often translated as friendship, while the word's original content was of a much larger and more intimate bond. [1]
Cratylus (/ ˈ k r æ t ɪ l ə s / KRAT-il-əs; Ancient Greek: Κρατύλος, Kratylos) is the name of a dialogue by Plato.Most modern scholars agree that it was written mostly during Plato's so-called middle period. [1]
Plato's argument is supposed to be an early example of a so-called genetic fallacy since his conclusion arises from his famous lodestone (magnet) analogy. [attribution needed] Ion, the rhapsode "dangles like a lodestone at the end of a chain of lodestones. The muse inspires the poet (Homer in Ion’s case) and the poet inspires the rhapsode."
The following is a list of the speakers found in the dialogues traditionally ascribed to Plato, including extensively quoted, indirect and conjured speakers. Dialogues, as well as Platonic Epistles and Epigrams, in which these individuals appear dramatically but do not speak are listed separately.
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